Clowning and Fluent Stuttering
Posted March 3, 2011on:
Today’s post is inspired by new friend Anna, who was featured in the January 2011 edition of the Toastmaster magazine. She was also a featured guest on “Women Who Stutter: Our Stories”, in Facing The Monster – Episode 44.
Anna contributed some great comments on the most recent episode featuring Nina G – Standing Up. Anna notes the importance of “fluent stuttering”, which is a term described by Van Riper in the classic stuttering book, The Treatment of Stuttering.
Someone once told me, “if it’s any consolation, at least your stuttering is easy to listen to”. I remember thinking, “why did she have to add the disclaimer phrase, if it’s any consolation?” To me, it sounded like she was paying me a compliment, but framing it as a negative, as if we are not ever supposed to say something positive about stuttering. Well, Anna de-bunks that and more!
I want to share Anna’s recent comments about “fluent stuttering” and how it can be attained by focusing on “the outside” rather than “the inside”. I like to think of that as quieting our inner self-talk!
Pam,thank you for yet another wonderful pod cast. Nina is another example (one is you) of a person who has something that I call “fluent stuttering”. This means speaking confidently and passionately, without avoidance and fear. The difference with this kind of stuttering from “typical stuttering” – that which can be monotone, deliberate, struggled, or covert speech (I had this too) – is that such fluid stuttering is easy to listen to. In a while you stop noticing the stuttering just as you stop noticing a bit of an accent or some other different speaking pattern.
Speaking openly, expressively, without holding back is a very real goal. I myself aim for total fluency, but if I end up with fluent stuttering instead, I will be just as happy. By the way, I also learned a lot when I enrolled in a clown class – I am not performing on a real stage, but the whole approach to performing – learning how to interact with an audience and feeling confident on stage – is very valuable.
One great thing I learned in clown school is about directing your attention outward. We have lots of exercises to make sure that we focus on the outside rather than staying inside our heads. We, people who stutter, are usually all inside our heads – watching ourselves, anticipating stuttering, trying to figure out listeners’ reaction etc.
Having your attention concentrated on the outside allows you to enter the state of fluency and freedom of fear. The moment you go inside your head (I wonder how I am doing, do they like me?), you get tense and nervous. Nina’s confidence on stage indicates that her attention is out there, she is connected to her audience. This is what makes Nina and others so fluent, despite stuttering. Fluent stuttering sounds strange, but it is a real phenomena and one that everyone can learn how to do.
I just loved Anna’s thoughts and honesty, especially sharing that she took classes at Clown school. How exciting is that? What do you think of Fluent Stuttering? Can you see yourself doing that and being happy with it, as Anna suggests? Let us know your thoughts!