Make Room For The Stuttering

The Stuttering Monologues

Posted on: July 9, 2018

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There is so much I want to say about the recent National Stuttering Association conference that just wrapped up in Chicago, Illinois this weekend. I am going to write later in the week about a couple of deeply important workshops that I attended that opened up dialogue that some people may not be used to.

But I feel compelled to write just a bit about The Stuttering Monologues, which was a performance I coordinated with 12 people and that we performed at the closing ceremony on Saturday July 7. I got the idea to create a version of stuttering monologues back in 2012 after watching a local performance of The Vagina Monologues, written by Eve Ensler. Ensler created her Vagina Monologues as an activism vehicle for women to be able to voice their concerns about consensual and non-consensual sexual experiences. Women of all different ages, races, sexual orientations and other differences let their voice be heard.

I envisioned that the same could be done with our stuttering stories. I presented the inaugural Stuttering Monologues as a workshop at the NSA conference in 2012 in Tampa. It was hugely successful – one of the most attended sessions, with standing room only. I brought it back again the following year, in Scottsdale in 2013. Again, the session was a stand-out, with a wall in the workshop room needing to be opened in order to accommodate people.

I wanted to bring it back to the conference again, but felt waiting a few years to keep the experience fresh was best. This seemed right, 5 years later and in Chicago. The NSA Executive Director asked me what I thought about presenting it to the whole conference as part of fully attended closing ceremony. We could make that work, right? What was done the previous two times in 75 minutes would now need to be done in less than 30 minutes.

I embraced the challenge. I had already lined up my presenters for the 2018 version of the Monologues when I learned we would do them at the closing and everyone would need to come in at under 2 minutes. That’s a big challenge for people who stutter. One person freely admitted that sometimes it has taken him fully two minutes to just say his name.

But we did it and to enormous success. We heard deeply moving, authentic stories about fear, shame, priorities, kindness and the human condition. It was funny, gut wrenching, inspiring and real all rolled up in one neat, 26 minute package. We heard monologues titled, “Dear Diary,” “You Don’t Know What You Don’t Know,” and “Heartbeat.” All rang true and we somehow managed to capture the diversity of our stuttering community through the unique voices we heard.

I had some people come up to me afterwards saying it was the best part of the conference. That the short stories were so powerful and riveting that everyone should hear something like this that so perfectly captures the complexity of stuttering. A long time member’s husband came up to me and said for him it was the best part of the conference. He said it was moving, emotional and powerful and that he could tell a lot of work went into it to make it look so seamless. That meant so much to me.

This was a labor of love. Not everything went perfectly. Some people didn’t come to practice sessions, some waited until the 11th hour to submit titles and bios and two people bowed out throughout the planning process. But it worked. Authentic voices were raised and eager ears listened to the stories that are all of us.

 

 

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© Pamela A Mertz and Make Room For The Stuttering, 2009 - 2022. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Pamela A Mertz and Make Room For The Stuttering with appropriate and specific direction to the original content. Same protection applies to the podcasts linked to this blog, "Women Who Stutter: Our Stories" and "He Stutters: She Asks Him." Please give credit to owner/author Pamela A Mertz 2022.
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